The collections at Loggia explore select areas of study in art and art history, architecture and design, the decorative arts, industrial design, and classical studies such as Greek, Roman, and Celtic mythology.

Gardner's Art Through the Ages

This book is the classic reference for the study of art. It features a history of artists and their works, as well as lucid and engaging descriptions of the styles and periods of art history. Highly recommended for both students and scholars.



home | art | art history | 19th c. | gallery | Leighton | Electra at the Tomb of Agamemnon

Electra at the Tomb of Agamemnon

title | Electra at the Tomb of Agamemnon

artist | Frederic Leighton

period | Victorian

date | circa 1868-9

In Electra at the Tomb of Agamemnon, Victorian artist Frederic Leighton uses what can be considered one of his artistic signatures - an image in which a solitary female figure is the focus. In addition, this poignant work also reveals that Leighton was a master of not only depicting Classical subjects, but also creating moving and memorable paintings.

The topic of Electra at the Tomb of Agamemnon was inspired by Greek mythology and drama. Electra was the daughter of King Agamemnon. In legend, Agamemnon was murdered by his wife - and Electra's mother - Clytemnestra. This tragedy haunted Electra, and in the painting, we see the heroine's anguish over the death of her father.

Electra stands alone in the center of the composition, holding her hands to her head in a gesture of lamentation. She is covered in long, dark draperies, the color a symbol of mourning. On Electra's right, there is a Doric column upon which a basket of flowers rests. The remaining details in the painting are simple but subtly effective, creating an atmosphere that recalls ancient Greece. In addition, the somber and subdued colors - soft earth tones - reinforce the feeling of sadness.

This painting shares similarities in both theme and subject with Lachrymae, one of Lord Leighton's much later works. However, while Electra at the Tomb of Agamemnon deals with an event from Classical drama and myth, Lachrymae demonstrates that the artist could create paintings with much more abstract meanings with equal success.

The Art of Lord Leighton

In this beautiful book, author Christopher Newall examines the life and works of eminent Victorian artist Frederic Leighton. The chapters deal with Leighton's evolution as a painter, from his early phase as "The Outsider", to success as "The President of the Royal Academy". And there are plenty of gorgeous color images to complement the text.

Victorian Painting

Christopher Wood's elegant and informative book features a comprehensive "who's who" of Victorian artists, from Pre-Raphaelite masters such as Dante Gabriel Rossetti, to what Wood terms the Olympian Dreamers - including Lawrence Alma-Tadema, G.F. Watts, and Albert Moore. Highly recommended for anyone who appreciates Victorian art.