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Explore mythology and art with information about the classic stories of heroes and gods...from the myths of ancient Greece and Rome, to the legends of the Celts. Mythography presents resources and reference materials about mythology - including recommended books, and lexicons that explain Greek, Roman, and Celtic terms.
Gardner's Art Through the Ages
This book is the classic reference for the study of art. It features a history of artists and their works, as well as lucid and engaging descriptions of the styles and periods of art history. Highly recommended for both students and scholars.
Aphrodite in Art
Aphrodite in Myth
Art Themes
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Pygmalion and Galatea in Greek Mythology
Aphrodite, who was present at the festival, heard him and knew the thought he would have uttered; and as an omen of her favor, caused the flame on the altar to shoot up thrice in a fiery point into the air. When he returned home, he went to see his statue, and leaning over the couch, gave a kiss to the mouth. It seemed to be warm. He pressed its lips gain, he laid his hand upon the limbs; the ivory felt soft to his touch and yielded to his fingers like the wax of Hymettus. While he stands astonished and glad, though doubting, and fears he may be mistaken, again and again with a lover's ardor he touches the object of his hopes. It was indeed alive! The veins when pressed yielded to the finger and again resumed their roundness. Then at last the votary of Aphrodite found words to thank the goddess, and pressed his lips upon lips as real as his own. The virgin felt the kisses and blushed, and opening her timid eyes to the light, fixed them at the same moment on her lover. Aphrodite blessed the nuptials she had formed, and from this union Paphos was born, from whom the city, sacred to Aphrodite, received its name.
- from Bulfinch's Mythology
Pygmalion and Galatea in Art History
Gallery | For pictures and information about Pygmalion and Galatea in art, visit the gallery!
Pygmalion and Galatea in Greek Mythology
Aphrodite, who was present at the festival, heard him and knew the thought he would have uttered; and as an omen of her favor, caused the flame on the altar to shoot up thrice in a fiery point into the air. When he returned home, he went to see his statue, and leaning over the couch, gave a kiss to the mouth. It seemed to be warm. He pressed its lips gain, he laid his hand upon the limbs; the ivory felt soft to his touch and yielded to his fingers like the wax of Hymettus. While he stands astonished and glad, though doubting, and fears he may be mistaken, again and again with a lover's ardor he touches the object of his hopes. It was indeed alive! The veins when pressed yielded to the finger and again resumed their roundness. Then at last the votary of Aphrodite found words to thank the goddess, and pressed his lips upon lips as real as his own. The virgin felt the kisses and blushed, and opening her timid eyes to the light, fixed them at the same moment on her lover. Aphrodite blessed the nuptials she had formed, and from this union Paphos was born, from whom the city, sacred to Aphrodite, received its name.
- from Bulfinch's Mythology
Pygmalion and Galatea in Art History
Gallery | For pictures and information about Pygmalion and Galatea in art, visit the gallery!
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