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| Pygmalion & Galatea
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Pygmalion and Galatea in Greek Mythology
, who was present at the festival, heard him and knew the thought he would have uttered; and as an omen of her favor, caused the flame on the altar to shoot up thrice in a fiery point into the air. When he returned home, he went to see his statue, and leaning over the couch, gave a kiss to the mouth. It seemed to be warm. He pressed its lips gain, he laid his hand upon the limbs; the ivory felt soft to his touch and yielded to his fingers like the wax of Hymettus. While he stands astonished and glad, though doubting, and fears he may be mistaken, again and again with a lover's ardor he touches the object of his hopes. It was indeed alive! The veins when pressed yielded to the finger and again resumed their roundness. Then at last the votary of Aphrodite found words to thank the goddess, and pressed his lips upon lips as real as his own. The virgin felt the kisses and blushed, and opening her timid eyes to the light, fixed them at the same moment on her lover. Aphrodite blessed the nuptials she had formed, and from this union Paphos was born, from whom the city, sacred to Aphrodite, received its name.
- from Bulfinch's Mythology
Pygmalion and Galatea in Art History
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Who's Who in Classical Mythology
This book is a great source for information about Greek and Roman mythology! Organized alphabetically, this who's who features information about over 1200 of the most intriguing characters from Classical myth and legend.
The stories of Classical myth come to life in Bulfinch's book. This edition also features legends from other cultures.
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