|
   
ar-chi-tec-ture
(ar' ki tek' cher), n. 1. the profession of designing buildings, open areas, communities, and other artificial constructions and environments, usually with some regard to aesthetic effect. architecture often includes design or selection of furnishings and decorations, supervision of construction work, and the examination, restoration, or remodeling of existing buildings. 2. the character or style of a building. 3. the action or process of building; construction. 4. the result or product of architectural work, as a building. 5. buildings collectively. 6. the structure of anything.
'one should not be
suprised to find,
in fact one would
expect to find,
an archaic quality
in architecture today...'
l o u i s k a h n
'architecture
also exists without
necessary assistance
from an architect,
and architects
sometimes create
buildings,
which are not
architecture'
n o r v a l w h i t e
'architecture...
oh yeah?
you're in it.'
a n o n y m o u s
'i like complexity and
contradiction in
architecture...
based on the
richness and
ambiguity of
modern
experience,
including that
experience which is
inherent in art'
r o b e r t v e n t u r i
'the engineer should then free himself from the forms dictated by the traditions of older building materials, so that in complete freedom and by conceiving the problem as a whole, it would use the material to its ultimate... perhaps then we would arrive at a new style, as in automotive and aircraft construction, as beautiful, and in the same way, determined by the nature of the material'
r o b e r t m a i l l a r t
|
.
.
.
.
.
.
.
.
.
the journey began
12.5.1997
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
mythography
.
.
.
.
.
.
.
.
.
.
.
.
.
the american institute of architects
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
bibliothequé books
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the metropolitan museum of art
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
metropolis magazine
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the guggenheim
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the museum of modern art
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the national gallery
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the national endowment of the arts
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the arts and crafts society
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the arts and crafts movement in america
.
.
.
.
.
.
.
.
.
.
.
.
.
.
death by architecture
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
world wide art resources
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
old faithful lodge
.
.
.
.
.
.
.
.
.
.
.
the library of congress
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
abitare
.
.
.
.
.
.
.
.
.
.
.
experience music project
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
the corn palace
.
.
.
.
.
.
.
.
.
.
.
.
.
international design competition
.
.
.
.
.
.
.
.
.
.
.
.
.
architecture
.
.
.
.
.
.
.
.
.
.
.
.
guggenheim eraser
.
.
.
.
.
.
.
.
.
.
.
.
.
.
carnegie hall
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
|
'a journey
begins with
a single step...'
'architecture is the masterly,
correct, and magnificent
play of masses brought
together in light'
l e c o r b u s i e r
'architecture
is seeing what
everyone else
has seen...
and thinking
what no one
else has thought.'
a n o n y m o u s
'architecture
must without a doubt
be directed by some sure
rules of art and
proportion'
a l b e r t i
'each new style emerged from the one preceding it, so that new construction, new materials, new human tasks and views called forth a change or reconstitution of existing forms... great social changes have always given birth to new styles'
otto wagner
|
